In general his plugins that you can barely hear but that add up over an entire mix are my favorites, I've also been using his weird dithers in front of hardware sends a lot although I don't use them on final mixes or masters since everything's' probably going to get compressed at some point before it's heard anyhow, so I just use TPDF for my final files.

I've tried using other lowpass filters up around the Nyquist frequency for the same job in the past and for whatever reason, his plugin does the job better to my ear (for what that's worth), maybe it's lower phase distortion or maybe it's just that there are no controls so I don't spend time second guessing it or apply too much, but for whatever reason it really works for me. I've been working at 48kHz instead of 96 for a couple years (to save space and let me use an ADAT expander for extra inputs) and slapping it on individual tracks that have a lot of highs has been really good for keeping things from getting edgy and harsh but keeping them sounding bright. It seems like a really subtle thing that any EQ plugin would be just as good for, but I've been REALLY liking the Ultrasonic plugin he released a few weeks ago. Yeah, I've got them all installed although there are so many I rarely use most of them. As far as reverb, i use either valhalla vintage verb or GHZ mega verb on a send.

Sweetwater valhalla vintage verb